The collection contains 18 Soviet-era x-ray film recordings of jazz music obtained during Richard Judy's exchange studies in Moscow from 1958-1959. Songs include "Begin the Beguine," "To A Wild Rose," "We Just Couldn't Say Goodbye" and others by various artists.
The collection contains 2 DVD's on the life of Jimmy Van Heusen who composed the Academy Award-winning song "Swinging on a Star" for the 1944 Paramount film Going My Way.
The collection contains 21 pieces of memorabilia given to Tony: certificates of appreciation, correspondence from Governor Nixon and President Eisenhower and other items.
The collection contains copies of materials used for a special production of the Blueprint Specials. The originals are held at the University of Michigan.
The personal and business papers of Meredith Willson, author and composer of "The Music Man" and "The Unsinkable Molly Brown," along with photographs, sheet music and arrangements, sound recordings, and audiovisual recordings from his personal collection.
Collection consists of three folders of publicity stills of Kostelanetz. Approximately 30 compact disc recordings of Andre Kostelanetz's CBS radio broadcasts from 1932 to 1949.
The collection contains newsclippings, photos, an address book, lacquer discs, one 78rpm recording, contracts and telegrams belonging to 1930's actress and singer Niela Goodelle.
Collection consists of newspaper/magazine articles about the Boswell Sisters, sheet music featuring them, and video and audio recordings. Most clippings are photocopies.
The collection was received in two show trunks consisting of numerous instrument books. One folder is marked 5/19/86, indicating that the collection was used on or around that date, although a brief google search indicates no easily-accessible record of a show on that date, this does not positively disprove that there was a show on that date.
Collection consists of drafts of Will Friedwald’s book A biographical dictionary of jazz and popular singers. Includes draft notes. A large collection of music recordings were donated along with the papers; they have since been catalogued and removed from the collection. A complete listing of recordings is available in the finding aid.
The collection consists of approximately 1500 unpublished musical arrangements used by Richard Himber with his bands and orchestras. In most cases the arranger is not known.
The collection contains theatrical ephemera for a 1928 London-based run of "Funny Face," including a framed lobby card, accounting sheet, and playbill, as well as other miscellaneous programs and sheet music.