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James T. Young

  • Personne
  • 1961-07-28

Jim (James T.) Young began his musical studies on clarinet with Valentine Anzalone when he lived in Pittsford, New York through 1974. Then he studied saxophone with Dennis Bamber in South Bend, Indiana through 1979. While in high school at St. Joseph’s High School in South Bend, in addition to playing in all of the school bands there, he also began playing in the Tony Barron Orchestra (a Big Band based in Mishawaka, Indiana that played in the style of Guy Lombardo’s Royal Canadians). Throughout his studies at Indiana University in Bloomington, Indiana , Jim played in the IU Marching Hundred from 1979-1982, and continued to play in the Alumni Band of the Marching Hundred for Homecoming football games through 2002. Following his graduation from the law and graduate business schools at IU in 1987, Jim began playing in two Big Bands based in Fort Wayne, Indiana, called “The ITT Conglomernotes” and “The Little Big Band.”

In late 1994, Jim Young, Bruce Scott (a retired teacher and tenor saxophonist), and Chuck Surack (the founder of Sweetwater Sound and a saxophonist) formed “The Stardust Dance Band,” which began its rehearsing in the large recording studio of Sweetwater Sound. From 1995 through 2003, this Big Band played over 300 performances in American Legion Posts, VFW Posts, the AmVets Post in Marion (Indiana), most of the country clubs and reception halls in the Fort Wayne and Warsaw areas, Buck Lake Ranch, festivals in Fort Wayne and New Haven, The Foellinger Outdoor Theater in Fort Wayne, the Auburn Cord Duesenberg Museum, and for various private parties. Probably the two most distinguished venues for the Band’s performances were the Embassy Theater in Fort Wayne, and the Paramount Ballroom in Anderson, Indiana.

While playing in The Stardust Dance Band, Jim had the good fortune of being asked to play in the Sammy Kaye Orchestra (“SKO”), then directed by Roger Thorpe. Jim occasionally also provided musicians for the SKO when it played in Indiana and Ohio from 1998 through 2002. The various venues played by the SKO when Jim was in the band included several performances at the Indiana Roof Ballroom, both the Paramount Theater and Ballroom in Anderson, Bearcreek Farms, and the Foellinger Theater and two venues in Ohio.

The Big Band arrangements donated by Jim to the Foundation were acquired by him over about 40 years from various sales he attended, purchases from other bands and collectors, and several custom arrangements written for Jim’s bands by Dick Spencer (a former Big band saxophonist from the Boston area) and Tom Cherry (the guitarist and other saxophonist in Boots Randolph’s band).

Jim now plays saxophone and clarinet in the Robin Run Big Band (in Indianapolis, Indiana) and cello in various small string ensembles and chamber music groups. Jim has studied cello for several years with Dennis McCafferty, a retired music professor from the University of Indianapolis and the Indianapolis Chamber Orchestra.

Shirley Walker Boles

  • Personne
  • 1935-12-19 -

Shirley Ann Walker Boles was born in Indianapolis, IN, on December 19, 1935 to Roger and Leona (Wall) Walker. She is the great granddaughter of Edna and Frank Harrison of Noblesville, IN. Frank Harrison is a distant relative of both William Henry Harrison and Benjamin Harrison. She was married in 1956 to John Curtis Boles, formally of Robbins, TN. Mrs. Boles currently resides in Venice, Florida.

She is a graduate of Shortridge High School and a former employee of Indiana Bell. Her community activities included membership in Job’s Daughters, performing as a clogging dancer with Circle City Cloggers, and being a long-time member of Epworth United Methodist Church.

Mrs. Boles studied piano at Welking Music on Pennsylvania Street in Indianapolis; she also gave private home lessons. She studied on a “Hamilton” upright piano which was a gift from nearby neighbors, the Eller brothers. While she was a student of piano for eight years her favorite style of music was contemporary music, but she also loved studying the classics. Much of her older music was gifted to her from Johnnie Johnson, an older piano student in her neighborhood.

Mrs. Boles has four children: Mike Boles of Poland, IN; Karen Ortega of Evanston, IL; Steve Boles of Noblesville, IN; and Julie Blanchard of Phoenix, AZ. She also has 15 grandchildren.

Voynow, Dick

  • 93022669
  • Personne
  • c. 1900 - September 15, 1944

Arnold, Hubert

  • 85173096
  • Personne
  • 1945-03-02 - 2019-08-22

Born and raised in Temple, Texas, Arnold attended Michigan State University where he earned undergraduate and master's degrees in Music Composition. His music career began in West Point, New York as an arranger for the United States Military Academy Band. He established a successful music career in New York City where he worked with numerous entertainers over the years. Notably, he was the music director and accompanist for the legendary Margaret Whiting, working with her for over 25 years.
His compositions in classical, Latin and jazz were commissioned, published, and recorded by organizations around the country. Additionally, Tex has written orchestrations for the Lincoln Center American Songbook series and for Carnegie Hall tributes.
For six years, Arnold participated as mentor and accompaniest in the Great American Songbook Foundation’s annual Songbook Academy event for teens.

Cummins, Jeanne

  • Personne
  • 1925-04-26 - 2019-01-11

Cummins, the youngest of three children, was born Ethel Mae to Clifford and Rose (nee Bulah) Thompson in Glouster, Ohio. The family moved to Columbus where she graduated from West High School in 1943. She changed her name to Jeanne Bennett and joined the Bernie Cummins Orchestra. On May 13, 1946, she married Walter Cummins, the lead male vocalist in the band. soon after marrying, the couple left the band and settled in Columbus where they raised six children. Bernie passed away in 1990. Jeanne continued to perform locally into her 70s.

Saxon, Joyce Mauer

  • SF2021JSLL
  • Personne
  • 1928-02-14 - 2015-11-16

Joyce Mauer was born in Chicago, Illinois to Bill and Cleo Mauer. At the age of five, a bout of tonsillitis spread to her eyes, damaging her vision. Childhood glaucoma caused additional damage to her vision and she became legally blind. Bedridden until the age of ten, Mauer began listening to music on the radio, especially swing, jazz, and classical. When she recovered her health, she began to play the piano. Her parents insisted that she hide her blindness and enrolled her in drama classes. As a teen she had some small parts on local radio. After high school, she began performing in local clubs around Chicago such as the Sherman House, Acorn on Oak, Danny's Hideaway, and Como Inn. She married and divorced Jack Reiling, then married Marty Saxon who managed her career. At 62, she began playing the piano at Nordstrom Department Store.

Judy, Richard W.

  • 88267184
  • Personne

Richard Judy was an exchange student in Moscow from 1958-1959, where he obtained 18 Soviet-era x-ray film recordings of jazz music. At the time, jazz music was illegal in the Soviet Union.

Cook, Will Marion

  • 88663576
  • Personne
  • 1869-01-27 - 1944-07-20

Will Marion Cook (January 27,1869 – July 20, 1944) was a musician, conductor, and composer born in Washington, D.C. to John Hartwell Cook and Marion Isabelle Lewis, free people of color before the Civil War. For a short time after his father’s death in 1879, Will lived with his maternal grandparents in Chattanooga, Tennessee. Here, he is said to have heard “real Negro melodies” and folk music. In 1880, he returned to Washington, D.C. where he began to take music seriously. At the age of fourteen, he enrolled in the Oberlin Conservatory of Music where he studied for four years. After completing his studies there, he traveled to Germany where he studied for two years at the Berlin Hochschule für Musik, training under Heinrich Jacobsen. Cook studied under Czech composer Antonin Dvorák at New York’s National Conservatory of Music.
Inspired by Dvorak, Cook began to experiment with compositions that maintained the integrity of the Negro spiritual. In 1898 Cook’s first composed score, for the one-act musical comedy Clorindy, the Origin of the Cakewalk, met with critical acclaim. The show’s successful run on the Roof Garden of the Casino Theatre in New York established Cook as a gifted composer. He made history with Clorindy by becoming the first African American to conduct a white theater orchestra.
In 1899 he married Abbie Mitchell, the show’s leading actress. They had two children, Marion and Mercer, before separating in 1906.
In 1900, Cook made his mark as a composer with several musical comedy productions often writing for the Williams and Walker Company (WWC), an all-black comedy troupe. His landmark score for their production of In Dahomey (1902-1905) in particular, not only brought Cook even more success, but also established the WWC as the leading black troupe of the decade. The show also marked a turning point for African American representation in vaudeville theater. The show ran for a total of four years in the United States and in the United Kingdom.

Ghostley, Alice

  • 87860073
  • Personne
  • 1926-08-14 - 2007-09-21

Raymond, Jack

  • 91063340
  • Personne
  • 1923-11-19 - 2016-02-11

Cohn, Al

  • n 81071193
  • Personne
  • 1925-11-24-198802-15

Kostelanetz, Andre

  • LC2012035308
  • Personne
  • 1901-12-22 - 1980-01-13

Andre Kostelanetz (1901-1980) was born in Saint Petersburg, Russia. He was a conductor and arranger, known for arranging and recording classical music for mass audiences. Kostelanetz pioneered microphone techniques still used today. He was married three times and had no children.

Freed, Arthur, 1894-1973

  • Personne
  • 1894-1973

Arthur Freed (1894-1973) was born Arthur Grossman in Charleston, South Carolina. He was a lyricist and Academy Award-winning film producer, producing such films as “An American in Paris,” “Singin’ in the rain,” and “Meet me in St. Louis.”

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