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Pessoa singular

Florenz Ziegfeld

  • LC79083994
  • Pessoa singular
  • 1867-03-21 - 1932-07-22

Beiderbecke, Bix, 1903-1931

  • LC50006777
  • Pessoa singular
  • 1903-03-10 - 1931-08-06

Bix Beiderbecke was an American jazz cornetist who was an outstanding improviser and composer of the 1920s. He played with a distinctive tone and strikingly original improvisational style. He is considered the first major white jazz soloist. Beiderbecke’s only competitor among cornetists in the 1920s was Louis Armstrong, but the two cannot be compared due to their different styles and sounds.
Bix was born March 10, 1903 in Davenport, Iowa. His mother was a musician who played piano and was the organist for the First Presbyterian Church. Bix was a bit of a child prodigy, picking out tunes on the piano when he was three years old. While he had formal training in piano, he taught himself the cornet largely by ear, which led him to adopt a non-standard fingering some critics have connected to his original sound. Bix attended Davenport High School from 1918 to 1921, during which time he sat in and played professionally with various bands. His parents disapproved of his playing music so in 1921 they enrolled him in the exclusive Lake Forest Academy, just north of Chicago. However, his interest in music remained and he often visited Chicago to listen to jazz bands in night clubs and speakeasies. He was ultimately expelled from school and returned to Davenport in 1923.
That same year Bix joined the Wolverine Orchestra and recorded with them later the following year. In late 1924 Bix left the Wolverines to join Jean Goldkette’s Orchestra, but his inability to read sheet music resulted in him eventually losing the job. In 1926 he played with Frankie Trumbauer’s Orchestra with whom he recorded “In a Mist.” In 1927 Bix joined the Paul Whiteman Orchestra, which was the highest paid dance band of the 1920s. Bix played on four hit records, all under the Whiteman name: “Together,” “Ramona,” “My Angel,” and “Ol’ Man River,” which featured Bing Crosby on vocals. Bix made his greatest recordings in 1927; he helped define the jazz ballad with his solos on “Singin’ the Blues” and “I’m Coming, Virginia”. “In a Mist” (1927), one of a handful of his piano compositions and the only one he ever recorded, was a solo masterpiece that fused jazz with classical influences.
For Bix, the downside of being with Whiteman was the relentless touring and recording schedule, which exacerbated his lifelong troubles with alcohol. On November 30, 1928, while on tour in Cleveland, Bix suffered what was termed a “nervous crisis”; but it has been suggested that it was actually an acute attack of delirium tremens brought about by Bix’s attempt to curb his alcohol intake. Bix returned to Davenport in February 1929 to convalesce and Whiteman famously kept Bix’s chair open in his honor, hoping he would return.
Bix returned to New York in January 1930 but was never the same again. He did not rejoin the Whiteman Orchestra and performed only sparingly. On his last recording session in September 1930, Bix played on the original recording of Hoagy Carmichael’s new song, “Georgia on My Mind,” which would go on to become a jazz and popular music standard. He lived the rest of his life in a rooming house in Queens, New York, where he was known to drink heavily while composing his solo piano pieces, “Candlelight,” “Flashes,” and “In the Dark,” none of which he ever recorded. He died at age 28 on August 6, 1931 as the result of an alcoholic seizure.

Snow, Leida

  • Pessoa singular

Pons, Lily

  • 81028139
  • Pessoa singular
  • 1898-04-12 - 1976-02-13

Nestico, Sammy

  • LC82025117
  • Pessoa singular
  • 1924-02-06 - 2021-01-17

Gorney, Jay

  • LC 89006629
  • Pessoa singular
  • 1896 - 1990

Jay Gorney (December 12, 1894 – June 14, 1990), was born Abraham Jacob Gornetzsky in Poland, to a Jewish family. After witnessing the Bialystok pogrom in 1906, his family fled to the United States, where they settled in Detroit, Michigan. Gorney took piano lessons and played in the school orchestra, bars and for silent films.

Gorney studied law and music theory at the University of Michigan, breaking only to serve in the navy during World War I. He practiced law briefly, before relocating to New York City with his first wife. He began his songwriting career on Tin Pan Alley, collaborating with Yip Harburg on numerous songs for Broadway musicals of the 1920s. The pair's most famous song, “Brother, Can You Spare A Dime?” was based on a Russian lullaby from Gorney’s childhood. The song debuted in the 1932 Shubert production of New Americana, becoming the anthem of the Great Depression. In the 1940s, he worked at Columbia Pictures as executive producer of musicals and is credited with jumpstarting Shirley Temple’s career.

Gorney was blacklisted for his liberal views during the Cold War.

Gorney's second marriage was to public relations consultant Sondra Karyl (Kattlove). Sondra published Gorney’s biography titled Brother, Can You Spare a Dime? in 2005. He had three children; one with his first wife and two with his second.

Edelman, Louis

  • Pessoa singular
  • 1900-1976

Louis F. Edelman (1900-1976) was an American film and television producer and screenwriter.

Voynow, Dick

  • Pessoa singular
  • 1900-1944

Dick Voynow (1900-1944) was a Chicago native and jazz pianist and orchestra leader. He was a member of the Wolverine Orchestra, which also featured Bix Beiderbecke.

Hummel, David

  • LC79011981
  • Pessoa singular
  • 1955-05-05 -

David Hummel is an American composer and musician who has been writing music professionally for radio and television since he was 16 years old. He is also a proficient player of several musical instruments, as well as all musical computer programs. He was born on May 5, 1955, in New Brunswick, New Jersey, and currently resides in Virginia. David is best known for his work on Ghostbusters II (1989), Glengarry Glen Ross (1992), and Manhattan Murder Mystery (1993). David moved his family from Los Angeles to Virginia after his brother-in-law was killed in action in Iraq in 2005. He continues to work with his clients across the country via the internet. Dave is married and has one son who was born in 2005.

Zaret, Hy

  • 85121454
  • Pessoa singular
  • 1907-08-21 - 2007-07-02

Hy Zaret (August 21, 1907 – July 2, 2007) was born Hyman Harry Zaritsky in New York City to Max and Dora Zaritsky, who emigrated from Russia in the 1890s. Zaret attended public schools, but was not an enthusiastic student. Despite his small stature, he played football at a local community center. He attended West Virginia University and Brooklyn Law School, where he received his LLB. Zaret practiced law for a few years and legally changed his name in 1934. His first major lyrical success came in 1935 when he wrote the words to “Dedicated to You” with Saul Chaplin and Sammy Cahn. He served as a sergeant in the War Music Division during World War II and wrote many war-related tunes, including “Song of the Army Nurse Corps” and “Soldiers of God (The Chaplain’s Song).” He also wrote English lyrics for “The Partisan” and “La Marsellaise.” In 1944, he wrote the lyrics to “One Meat Ball”, which became a success for the Andrews Sisters. Zaret’s biggest hit, “Unchained Melody”, written for the 1955 prison film Unchained, received an Academy Award Nomination for Best Original Song. Recorded by more than 300 artists, the song saw renewed interest in the 1990s with its inclusion in the movie Ghost. In the ensuing years, it received multiple awards from the American Society of Composers, Authors and Publishers (ASCAP), the Songwriter’s Hall of Fame, and Rolling Stone magazine. Beginning in the early 1950’s, Zaret began writing lyrics (usually in conjunction with composer Lou Singer) for children’s educational songs and public service announcements for which he received numerous accolades. His efforts include Ballads for the Age of Science, Little Songs on Big Subjects, Little Songs for Better Schools, Little Songs for Busy Voters, Little Songs for Living Longer, Little Songs on Fire Prevention, Spotlight Ballads, Little Songs for the American Cancer Society, Sing-Along for Mental Health, and others. Zaret’s marriage to Shirley Goidel produced two sons, Thomas (who predeceased him) and Robert. Zaret passed away in 2007 at the age of 99.

Friedwald, Will

  • LC80161123
  • Pessoa singular
  • 1961 -

Will Friedwald is an American author as well as jazz and cabaret critic. He has authored nine books and nearly five hundred liner notes for compact discs, for which he has received eight Grammy nominations. He has written for newspapers and magazines include Wall Street Journal, New York Times, New York Sun, The Village Voice, Vanity Fair, BBC Music Magazine, and Oxford American, among other publications.

Andrews, Patty, 1918 - 2013.

  • LC00068999
  • Pessoa singular
  • 1918-02-16 - 2013-01-30

Patty Andrews was the youngest of the three Andrews sisters, the lead singer for the group, and usually sang the melody part in the trio. She pursued a solo career after the group broke up, occasionally reuniting with Maxene for reunion tours in the 1960s and '70s. She died of natural causes at the age of 94.

Tatum, Art

  • LC84005894
  • Pessoa singular
  • 1909-10-13 - 1956-11-05

Mercer, Johnny

  • LC82078485
  • Pessoa singular
  • 1909-11-18 - 1976-06-25

Johnny Mercer (John Herndon Mercer) was a native of Savannah, Georgia, who began writing songs at the age of fifteen and eventually became one of the foremost figures of 20th century American popular music. His catalog includes many numbers that have become American classics, and his activities as lyricist, composer, performer and businessman span a period of nearly five decades.

Mercer was born on November 18, 1909 to real estate investor George A. Mercer, Jr. and his wife Lillian. He spent his childhood and youth in Savannah, growing up in a household where music was much in evidence and in a region where the local culture combined the rich literary and language traditions of the South.

He left school in 1927 and worked in his father's business before traveling to New York as an actor where he received favorable notices for his performances. Mercer returned the following year trying to establish himself as an actor. He continued writing songs during this time (he had written his first song at age 15). When told that casting for the Garrick Gaieties of 1930 was complete but that the show still needed songs, he supplied "Out of Breath And Scared To Death of You." The song was included in the show, marking the start of his career as a professional songwriter.

From there Mercer went on to become one of America's major songwriters of the 1930s to the 1960s, despite his lack of formal musical training. He worked primarily in New York through the early 30s, producing the hit "Lazybones" with songwriter Hoagy Carmichael in 1933, and collaborating with various other writers including Harold Arlen and "Yip" Harburg.

Mercer's work in Hollywood resulted in a remarkable record of hit songs. During the decade between 1936 and 1946 his catalog grew to such songs as "Hooray for Hollywood," "Jeepers, Creepers," "Day In-Day Out," "Blues In The Night," "That Old Black Magic," "Tangerine," "Accentuate The Positive," "Dream," "On the Atchison, Topeka And The Santa Fe" (Academy Award winner, 1946), and "Come Rain Or Come Shine." His film scores included Daddy Long Legs (1955), and stage productions included Top Banana (1951) and Li'l Abner (1956). Mercer attained distinction as a songwriter by receiving Oscars for three more of his songs between 1951 and 1962, namely "In The Cool, Cool, Cool Of The Evening" (1951), "Moon River" (1961) and "Days of Wine and Roses" (1962). Other songs from the period include "Glow-Worm," "Something's Gotta Give" and "Satin Doll."

In the end his catalog included over 1,400 songs, created over a period of 45 years, written by himself and in partnership with a remarkable number of America's most prominent popular composers. Mercer died from an inoperable brain tumor on June 25, 1976, in Los Angeles, CA.

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