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Registro de autoridad

Helford, Irwin

  • SF2018IHRK
  • Persona
  • 1934 -

Helford served as the Chairman of the Board of the Great American Songbook Foundation from 2007 - 2012.

Goodelle, Niela

  • SF2018NGRK
  • Persona
  • 1910-09-08 - 1988-05-26

Niela Goodelle Hartz (September 8, 1910 – May 26, 1988) was born Helen Goodelle in New York. In the 1920s, she worked as an accompanist for Burton Thatcher in exchange for vocal lessons. By the 1930s she was a budding Hollywood starlet, performing in Perfect Thirty Sixes, Rhythm of Paree, and Spring is Here. She was part of the touring production of Ziegfeld Follies of 1934. She is perhaps most famous for turning down a marriage proposal from Rudy Vallee in 1937.
In 1940, Goodelle retired at what was arguably the peak of her career and married Minton Hartz. She moved to Evansville, Indiana where she and Minton raised three children.

Hope, Bob

  • LC50028460
  • Persona
  • 1903-05-29 - 2003-07-27

Arlen, Harold, 1905 - 1986

  • LC82155108
  • Persona
  • 1905-02-15 - 1986-04-23

Harold Arlen was an American composer, arranger, pianist, and vocalist who is considered one of the greatest composers of the 20th century. He wrote over 400 songs but is most famous for composing the songs for the classic 1939 film The Wizard of Oz, particularly “Over the Rainbow,” which was voted the 20th century’s No. 1 song. Arlen wrote some of the greatest hits from the 1930’s and 40’s, such as “Get Happy,” “Stormy Weather,” “It's Only a Paper Moon,” “I've Got the World on a String,” and “Last Night When We Were Young.” He was most prolific from 1929 through the 1950s.
He was born as Hyman Arluck in Buffalo, New York in 1905 to Jewish parents. The son of a Jewish cantor (a trained song-leader for Jewish services) and pianist, Arlen showed exceptional musical talent in childhood. Hyman loved to sing, but was extremely shy. His mother hoped that he would become a music teacher, so she introduced a piano into the Arluck home. Hyman began studying around the age of nine and quickly outgrew the neighborhood piano teacher. He went on to study with the leading local teacher, who was also a conductor, organist and composer. Before long, Hyman left school as a teenager and achieved some local success working as a vocalist and pianist in different bands. He moved to New York City in the 1920s, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Arlen composed several songs during that period, but published the first of his many well-known pieces in 1929, "Get Happy", with lyrics by Ted Koehler. "Get Happy” attracted attention to the new songwriting-lyricist duo identifying Arlen and Koehler as hit writers. With “Get Happy” and other rhythmic songs to their credit, the team developed the reputation as writers of "bluesy" rhythm numbers, which were much in demand in the flourishing cabarets. Throughout the early and mid-1930s, Arlen and Koehler produced songs for Harlem’s infamous Cotton Club, which was at the heart of the cabaret scene, as well as for Broadway musicals and Hollywood films, creating familiar pieces such as "Stormy Weather" and "Let's Fall in Love."
In the mid-1930s, Arlen married, and spent increasing time in California, writing for movie musicals. It was at this time that he began working with lyricist E.Y. "Yip" Harburg. In 1938, the team was hired by Metro-Goldwyn-Mayer to compose songs for The Wizard of Oz, the most famous of which is "Over the Rainbow", which went on to win the Academy Award for Best Music, Original Song. They also wrote "Down with Love" (featured in the 1937 Broadway show Hooray for What!), "Lydia the Tattooed Lady", for Groucho Marx in At the Circus (1939), and "Happiness is a Thing Called Joe", for Ethel Waters in Cabin in the Sky (1943). Going into the 1940s, Arlen teamed up with Johnny Mercer to write a string of successful hits: "That Old Black Magic" (1942), "Accentuate the Positive" (1944), and "Come Rain or Come Shine" (1945), among others. From that point on he worked on various Broadway shows but became more reclusive as an illness in 1954 and the deaths of his parents in 1953 (his father) and 1958 (his mother), and later his wife (1970) caused him to lose interest in composing and music in general.
Arlen died of cancer at the age of 81.

Vallee, Rudy

  • LC82152282
  • Persona
  • 1901-07-28 - 1986-07-04

Deutsch, Didier C.,

  • LC97082686
  • Persona
  • 1937 -

Didier Deutsch is a French-born record producer who has produced more than 600 titles in fields as varied as pop, jazz, big bands, classical, soundtracks and Broadway shows. He was nominated for a Grammy in 1995 for his production of the 12-CD “Frank Sinatra: The Columbia Years (1943–1952) – The Complete Recordings,” and again in 2001 or the Columbia/Legacy 26-CD set, “Soundtrack For A Century.”
Deutsch was born in 1937 in Arcachon, France, and arrived in New York City in 1962. Initially after his arrival, he wrote professionally for a wide range of magazines and newspapers, including After Dark, Essence, and The New York Times, with a special emphasis on the theater, movies, and music. In 1973, following some years in public relations in the private sector, Deutsch became publicity director at CTI Records, the jazz label created by producer Creed Taylor. After that Deutsch held various publicity and managerial positions at Tappan Zee, RCA, WEA International, and Atlantic. During this time Deustch simultaneously began working for Legacy, the reissue label controlled by Columbia Records, now Sony Music.
Over the years, Deutsch has produced recordings by many artists signed to both Columbia and Epic (Tony Bennett, Johnny Mathis, Doris Day, Jerry Vale, Rosemary Clooney, Harry James, Benny Goodman, Louis Armstrong, etc.). On many of those, he wrote the liner notes that helped put these recordings into their proper historical perspective.
Among his many other achievements, Deutsch lists “The Great American Composers,” a 28-volume collection of the classic tunes written by the best Tin Pan Alley songwriters – Irving Berlin, Cole Porter, Duke Ellington, Hoagy Carmichael, Rodgers and Hart, Rodgers and Hammerstein, Johnny Mercer, and the Gershwins, among many others, representing more than 800 selections, for Columbia House and “The Best Of Broadway,” a multi-volume series surveying the songs written for the stage and screen, for Time-Life.
In addition to his activities as a record producer, Deutsch continues to be a presence on Broadway, each season reviewing the new musical productions for the German publication “Musicals” and for the French-language “Opérette/Théâtre Musical.” A recognized theater critic, he has been covering the Broadway musical scene for more than 45 years.

Martin, Mary

  • LC50040943
  • Persona
  • 1913-12-1 - 1990-11-04

Shonfield, Ray

  • Persona
  • 1905-09-29 - 1973-03-07

August, Jan

  • LC 94006657
  • Persona
  • 1904-09-24 - 1976-01-17

Jan August was born Jan Augustoff in New York City, the youngest of five children. Jan’s parents, having paid for music lessons for the four older siblings who lacked any musical aptitude, chose not to repeat the mistake with their youngest. Jan learned to play the piano by ear as a child; as an adult he learned to read and arrange music. He mastered the xylophone, vibraphone and Solovox as well as the piano. In 1946, his instrumental recording of “Misirlou,” a Greek folk song, sold more than 1,000,000 records.
As a young man, Jan performed as a pianist with the Paul Specht Band in Greenwich Village nightclubs. In the 1930’s, Paul Whiteman invited him to play in his orchestra; Jan also performed with Ferde Grofé. With the musical shift from jazz to swing in the 1940’s, Jan returned to performing solo in clubs. His style attracted the attention of Irving Gwirtz of Diamond Records, who signed him to a recording contract. He received union scale wages of approximately $35 for his recording of “Bob-a-Loo”; the recording of “Misirlou” reached the Top Ten on the charts and launched his career.
Jan hosted and performed on radio, notably a 15-minute weekly broadcast on the Mutual Radio Network from 1947-1948. In 1948 and 1950, he appeared on "The Toast of the Town" and from 1949-1951 he accompanied singer Roberta Quinlan on her NBC variety show. Later he hosted "Jan August’s Revere Camera Show". In 1949, he served as the subject of a 9-minute film short entitled "Audition for August" with Kitty Kallen. In the 1950’s, Jan signed a recording contract with the Mercury label recording instrumental versions of popular hits laced with Latin rhythms. He also toured with his own orchestra in the United States and Canada. After arranging and recording more than 140 songs, Jan retired in 1967. He died of heart disease about a decade later.
Shortly before Jan's death, a musician performing under the name Jan August made the news in Florida, but it was an imposter.

Harris, Phil

  • LC80146364
  • Persona
  • 1904-01-24 - 1995-08-11

Phil Harris (June 24, 1904 – August 11, 1995) was a singer, songwriter, jazz musician, actor and comedian, best remembered for his voice work; he provided the voices for “Baloo” in Disney’s The Jungle Book and “Little John” in Disney’s Robin Hood. Born Wonga Philip Harris in Linton, Indiana, Harris grew up in Nashville, Tennessee. Beginning in the late 1920s, he worked as a drummer in an orchestra he formed with Carol Lofner in San Francisco. When the partnership ended, he continued to perform with his own band. In the mid-1930s, Harris became musical director of The Jell-O Show starring Jack Benny. Although responsible for singing and leading the band, Harris had a quick wit and comic timing that insured his inclusion into Benny’s comic ensemble.

Phil Harris and Alice Faye married in 1941; it was a second marriage for both of them. Although insiders predicted the union would not last more than six months, the marriage lasted fifty-four year, until Harris’s death in 1995. In 1946, the couple began co-hosting a Sunday night comedy-variety show titled The Fitch Bandwagon, sponsored by F. W. Fitch Co., a hair products manufacturer located in Des Moines, Iowa. The show’s premise, to showcase big bands, shifted as the popularity of Harris and Faye’s family skits grew in popularity. In 1948, Rexall, a pharmaceutical company, became the show’s sponsor and its title changed to The Phil Harris-Alice Faye Show. The couple played themselves in the weekly situation comedy that included two young actresses playing the couple’s real-life daughters. The show featured Harris as a bumbling, slightly vain husband and Faye as his loving, but sharp-tongued wife. During each episode, Faye and Harris sang a couple of songs. Generally, Faye performed ballads and Harris sang swing numbers. The show ended in 1954.

The couple continued to work, separately and together, until Harris’s death.

Staiger, Libi

  • LC2007035169
  • Persona
  • 1928-01-10 - 2019-09-25
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