- 1926-09-25 -
Showing 5 resultsGeauthoriseerde beschrijving
- 1918-09-13 - 2015-04-06
Raymond Charles Offenberg, known professionally as Ray Charles (and who jokingly referred to himself as "the other Ray Charles" for much of his later career), was an American singer, arranger, and conductor. He is most famous for working with Perry Como as the arranger and director for the Ray Charles Singers, Como's backing group for over 30 years. He also served as the musical consultant for the Kennedy Center Honors gala.
Charles was born in Chicago. By the time he was in high school he was already the host of a 15-minute radio show. He attended the Chicago Musical College and continued singing, arranging, and conducting for various choral groups and radio shows. He changed his name to Ray Charles around the same time he was drafted, in 1944. During World War II Charles wrote and arranged music for the women's branch of the Naval Reserve (WAVES) and trained the WAVES "Singing Platoons". After the war he went right back to working on the radio; among other roles, he worked as an arranger-conductor for "The Big Show", one of the last well-known radio variety shows.
The bulk of Charles's career was spent working with Perry Como, beginning in about 1948. He arranged music for and conducted Como's backing group, which would become known as the Ray Charles Singers. The group, which was not a consistent group of vocalists, also recorded a number of albums in the 1960s that arguably founded the "easy listening" genre. They were also responsible for several popular commercial jingles. Charles also arranged music for a variety of television specials during the same period.
Beginning in 1982, Charles was also acted as a musical consultant for the Kennedy Center Honors gala, selecting and arranging the songs for the annual program. He did so every year through 2014. He also served in a similar capacity for over a decade's worth of Independence Day and Memorial Day concerts for PBS. He also wrote the song "Fifty Nifty United States," which many elementary school children continue to learn.
Charles died of cancer at the age of 96.
- 1905-02-15 - 1986-04-23
Harold Arlen was an American composer, arranger, pianist, and vocalist who is considered one of the greatest composers of the 20th century. He wrote over 400 songs but is most famous for composing the songs for the classic 1939 film The Wizard of Oz, particularly “Over the Rainbow,” which was voted the 20th century’s No. 1 song. Arlen wrote some of the greatest hits from the 1930’s and 40’s, such as “Get Happy,” “Stormy Weather,” “It's Only a Paper Moon,” “I've Got the World on a String,” and “Last Night When We Were Young.” He was most prolific from 1929 through the 1950s.
He was born as Hyman Arluck in Buffalo, New York in 1905 to Jewish parents. The son of a Jewish cantor (a trained song-leader for Jewish services) and pianist, Arlen showed exceptional musical talent in childhood. Hyman loved to sing, but was extremely shy. His mother hoped that he would become a music teacher, so she introduced a piano into the Arluck home. Hyman began studying around the age of nine and quickly outgrew the neighborhood piano teacher. He went on to study with the leading local teacher, who was also a conductor, organist and composer. Before long, Hyman left school as a teenager and achieved some local success working as a vocalist and pianist in different bands. He moved to New York City in the 1920s, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Arlen composed several songs during that period, but published the first of his many well-known pieces in 1929, "Get Happy", with lyrics by Ted Koehler. "Get Happy” attracted attention to the new songwriting-lyricist duo identifying Arlen and Koehler as hit writers. With “Get Happy” and other rhythmic songs to their credit, the team developed the reputation as writers of "bluesy" rhythm numbers, which were much in demand in the flourishing cabarets. Throughout the early and mid-1930s, Arlen and Koehler produced songs for Harlem’s infamous Cotton Club, which was at the heart of the cabaret scene, as well as for Broadway musicals and Hollywood films, creating familiar pieces such as "Stormy Weather" and "Let's Fall in Love."
In the mid-1930s, Arlen married, and spent increasing time in California, writing for movie musicals. It was at this time that he began working with lyricist E.Y. "Yip" Harburg. In 1938, the team was hired by Metro-Goldwyn-Mayer to compose songs for The Wizard of Oz, the most famous of which is "Over the Rainbow", which went on to win the Academy Award for Best Music, Original Song. They also wrote "Down with Love" (featured in the 1937 Broadway show Hooray for What!), "Lydia the Tattooed Lady", for Groucho Marx in At the Circus (1939), and "Happiness is a Thing Called Joe", for Ethel Waters in Cabin in the Sky (1943). Going into the 1940s, Arlen teamed up with Johnny Mercer to write a string of successful hits: "That Old Black Magic" (1942), "Accentuate the Positive" (1944), and "Come Rain or Come Shine" (1945), among others. From that point on he worked on various Broadway shows but became more reclusive as an illness in 1954 and the deaths of his parents in 1953 (his father) and 1958 (his mother), and later his wife (1970) caused him to lose interest in composing and music in general.
Arlen died of cancer at the age of 81.
- 1904-08-21 - 1984-04-26
William James "Count" Basie is one of America's best-known jazz musicians. He was a pianist, bandleader, and composer. As a teenager and young adult in the 1920s, Basie met and performed with a variety of recognized names in Harlem: Duke Ellington, Louis Armstrong, and Fats Waller, among others. In 1929 he joined up with Bennie Moten in Kansas City, acting as both pianist and co-arranger for the band. When Moten died in 1936, Basie formed his own band, largely from its former members. It was this core group that ended up improvising their way into one of Basie's early hits, "One O'Clock Jump," and brought them to the attention of record producers.
After an extended engagement in Chicago that allowed "Count Basie and His Barons of Rhythm" to refine their sound, Basie moved the band back to Harlem. They played at the Woodside Hotel, the Roseland Ballroom, and eventually the Savoy. Although Basie hired arrangers for the band, the group often worked out their numbers in rehearsals and then performed the partially improvised pieces from memory. In 1939, the band did a cross-country tour and performed on the West Coast for the first time. Although World War II caused a lot of member turnover, Basie remained famous for keeping an enthusiastic band that played with infectious good cheer and featured a continuous string of talented jazz instrumentalists and singers. However, declining interest in swing and traditional big band sound led him to disband the group after the war ended.
But Basie continued to perform with other groups, and in 1952 he ended up reforming his group with new members, working strains of bebop, rhythm and blues, and early rock'n'roll into his arrangements and working as a more organized ensemble than he had previously. In 1958, Basie headed to Europe with the new band. Post-war Europe loved jazz and had already welcomed a number of American expatriates who were happy to perform with Basie's band. The 1960s were filled with tours, television appearances, and recording with the likes of Frank Sinatra, Ella Fitzgerald, and Tony Bennett. Basie maintained the classic big band sound into the 1980s despite music trends and more changes in personnel. He died from pancreatic cancer at the age of 79. The band, led by former members, continues to record and perform today.
- 1945-03-02 - 2019-08-22
Born and raised in Temple, Texas, Arnold attended Michigan State University where he earned undergraduate and master's degrees in Music Composition. His music career began in West Point, New York as an arranger for the United States Military Academy Band. He established a successful music career in New York City where he worked with numerous entertainers over the years. Notably, he was the music director and accompanist for the legendary Margaret Whiting, working with her for over 25 years.
His compositions in classical, Latin and jazz were commissioned, published, and recorded by organizations around the country. Additionally, Tex has written orchestrations for the Lincoln Center American Songbook series and for Carnegie Hall tributes.
For six years, Arnold participated as mentor and accompaniest in the Great American Songbook Foundation’s annual Songbook Academy event for teens.